Box of delight
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Box of delight
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Women Street Photographers: The Web Site, Instragram Account & Book That Amplify the Work of Women Artists Worldwide

Women Street Photographers: The Web Site, Instragram Account & Book That Amplify the Work of Women Artists Worldwide | Box of delight | Scoop.it
For women street photographers living and working today, the project offers what founder Gulnara Samoilova says she needed and couldn’t find: “I soon began to realize that with this platform, I could create everything I had always wanted to receive as a photographer: the kinds of support and opportunities that would have helped me grow during those formative and pivotal points on my journey.” The project is international in scope, bringing together the work of 100 women from 31 countries, “a tiny sampling of what’s out there.”
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Meet Gerda Taro, the First Female Photojournalist to Die on the Front Lines

We may know a few names of historic women photographers, like Julia Margaret Cameron, Dorothea Lange, or Diane Arbus, but the significant presence of women in photography from its very beginnings doesn’t get much attention in the usual narrative, despite the fact that “by 1900,” as photographer Dawn Oosterhoff writes, census records in Britain and the U.S. showed that “there were more than 7000 professional women photographers,” a number that only grew as decades passed.
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The Dorothea Lange Digital Archive: Explore 600+ Photographs by the Influential Photographer (Plus Negatives, Contact Sheets & More)

The Dorothea Lange Digital Archive: Explore 600+ Photographs by the Influential Photographer (Plus Negatives, Contact Sheets & More) | Box of delight | Scoop.it

Shortly before her death in 1965, one of the New Deal’s most famous photographers, Dorothea Lange, spoke at UC Berkeley. “Someone showed me photos of migrant farmworkers they had just taken,” she said. “They look just like what I made in the ‘30s.” We can see the same conditions Lange documented almost 60 years later, from the poverty of the Depression to the internment and demonization of immigrants. Only the clothing and the architecture has changed. “Her work could not be more relevant to what’s happening today,” says Lange biographer Linda Gordon.

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